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PSP BBDelay

Inspired by a legendary 1980s BBD delay and ambience processor*, PSP BBDelay channels the depth, motion, and instability that gave classic analog delays their lasting appeal. Modelled BBD chips, compander behaviour, and analog circuit imperfections make each repeat evolve with texture and life.

With transient shaping, ducking, gating, saturation, modulation, tone shaping, and chip variation, PSP BBDelay moves from vintage echoes and lush ambience to experimental soundscapes.

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Price: intro 69$ (reg 99$)
https://pspaudioware.com/products/psp-bbdelay
 
Waves Atlas Reverb is built to create what great reverbs have always given records: a sense of space that feels emotional, alive and inseparable from the music.

https://www.waves.com/plugins/atlas-reverb

Not just impressive in solo. Not just a captured room. Atlas delivers depth, dimension, and movement where it matters most, inside full mixes.

Inspired by our research through decades of DSP reverb design, Atlas gives you a wide range of original reverb programs, each carefully tuned by human ears for tone, density, reflection behavior, modulation, depth and feel.

The result: spaces that react musically to the source, sit beautifully in the track, and help vocals, drums, guitars and full mixes feel more finished, more dimensional and more like a record.

“No other reverb plugin does what this does.” - Greg Wells
  • All-new fully algorithmic reverb engine
  • 100+ original reverb programs tuned by ear from the ground up
  • Efficient program-browsing workflow to hear what suits the mix
  • Mix-ready depth and dimension
  • Wide range of flavors inspired by legendary DSP reverb units
  • Dynamic spaces that react to the source
  • Low latency and low CPU usage
  • Streamlined musical controls

 
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Реакции: yunusmus
reFX Rippler на старте за $99 (после 13 сентября $129)

Скачал 30-дневный триал, но почему-то он вообще пустой, без пресетов. Кто-нибудь ещё пробовал?
Update. Плагин менеджер без квн не давал скачать набор пресетов. С квн всё скачалось.
 
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Metric Halo - MB Howies 179

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Воспроизводит винтажный компрессор/лимитер NTP 179-120, созданный в 1975 для первых мастеринговых консолей Neumann - SP 75 и SP 77.


Metric Halo начала выдавать своим бета-тестерам iLok лицензию - General Beta License.
Если есть эта лицензия, то через неё запускаются такие плагины (из последних) как:
MB Howies179
MB Davids2Bus
MB TMPC
MB White Room
 
андромеда где?

Этих "ретровундерфафля" там больше:
 
после каких аудио обработок невозможно восстановить исходный сигнал?
 
Wavemachine Labs ReStem 2 https://restemapp.com/

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New from v1:

- Live separation New

You can now separate drums live, as the track plays. ReStem 1 only worked offline, but the new engine made live quality good enough to ship. ReStem 2 also improved the speed of processing in offline mode. It's now twice as fast as the original version.

- Auto MIDI Notes New
When using the new MIDI Output feature, toms are sorted by pitch, and hi-hats come through as open, closed, or pedal. Your drum instrument plays the right articulation without any setup.

- ARA2 on the timeline New
In a DAW that supports ARA, one press of the PROCESS button gives you the stems (after processing), with no bouncing or recording pass. ReStem 1 couldn't do this.

- TrigNet MIDI New
Every stem can send MIDI now, driven by our new TrigNet trigger engine. It even keeps up with blast beats, double-kick, and fast ghost-note rolls.

- Transient Restorer New
Bring back the sharp attack on the kick and snare that a stereo mixdown rounds off. It sits next to the Transient Shaper that ReStem 1 already had.

- The Separation Map New
Watch the kit come alive as it plays. Each drum shows up as its own cluster of stars that light up on every hit. Deeper drums sit to the left, harder hits climb higher, and wider-sounding drums grow wider clusters.
 
Tetrad by Physical Audio (hybrid instrument based on physical modelling and granular synthesis)

Посмотреть вложение 266362

Features:
– Over 100 presets to get started immediately.

– Generate voices through Basic, Chords and Modal chords, Free and Flex modes. Plus ADSR envelope, FM Frequency and FM Depth for all oscillator types.

– Quad AM module to ‘pseudo-sequence’ or gently modulation voices, with control over phase Shape, Depth, Gain and Rate (up to 250Hz), plus Phase Displacement per voice.

– Quad Granulator mangles the four voices into new textures individually or all together. Grain Size, Feedback, Rate (up to 50Hz), or individual Grain Size and Pitch per voice.

– Plate Resonators that can be driven and positioned graphically on the virtual sound stage. Set Decay, Metal Cuts, Preamp Drive globally; or Drive and Decay per plate.

– Comprehensive Modulation Matrix with over ## destinations, eight LFOs and three envelope-following sources, plus MIDI and MPE parameter sources.

– Three filters (LP/BP/HP) to curtail and sculpt effects from audio-rate modulation distortion and extreme granulation artefacts.


Price: intro 59$ (reg 99$)
https://physicalaudio.co.uk/products/tetrad/



Намедни пощупал эту "зверушку". Странный в управлении, поскольку контроль некоторых моментов с наскока не увидишь, но звучит, сцуко, очень интересно..
 
@Zit,
А мне чтойто не вкатило. Вроде и крутил демку конкретно, думал может пропустил что, прошёлся по пресетам, тоже самое. Ну если они конечно не добавили там чего (пробовал ещё в момент релиза).
Например их Preparation 2 больше понравился.
Upd Но неисключаю что чтото мог и недокрутить. Контроль там и вправду странноватый.
 
Minimal Audio Lucid
Intro $79, reg $129.

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This is what granular was always supposed to be. Rebuild any sound grain by grain into vibrant harmonies, rhythms, and textures that stay in time and locked to your key.

Run synths, vocals, drums, or anything else through Lucid and reimagine it into something you've never heard before.

Lucid's granular engine is built from the ground up for deeply-musical sounds that work with your track.

Traditional granular effects ignore your key. Lucid detects each grain's pitch and retunes it in real time. Now you can transpose, modulate, and harmonize freely while staying in tune.

Sync to the grid, snap to transients, or scrub through loops in real time. Everything stays locked to your timeline and visible on the waveform display.

Every grain gets its own effects that evolve in bold new ways. Adding vivid detail and movement that no single effect could produce.
 
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Реакции: Wham_48
У CEDAR новый инструмент

CEDAR icons Voxis

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Созданная на основе последних инноваций CEDAR Audio в области нейронных сетей, технология Voxis™ обеспечивает исключительную изоляцию голоса, устраняя фоновый шум и избыточную реверберацию, благодаря чему ваши вокальные выступления и разговоры звучат чисто и естественно.

Но есть еще кое-что, что делает Voxis™ особенной. В отличие от других процессов обработки звука на основе нейронных сетей, она имеет задержку менее 10 миллисекунд, что делает ее идеальной для прямых трансляций, вещания и всех форм общения в реальном времени.

Подобно человеку, слушающему шумный звук, нейронные сети CEDAR способны распознавать человеческую речь и вокал, отделяя их от нежелательных звуков и шумов. В результате достигается исключительная четкость звука с низкой задержкой, что было бы недостижимо всего несколько лет назад.

Voxis разработан специально для ситуаций, когда исполнители, докладчики и зрители не могут мириться с задержками в аудиосигнале. Благодаря задержке менее 10 мс, Voxis работает незаметно практически во всех рабочих процессах в режиме реального времени, поэтому вам больше не нужно выбирать между низкой задержкой и высочайшими стандартами извлечения или изоляции голоса.
 
Последнее редактирование:
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Реакции: Alex_HS и Alexey Makov
Arturia Pure Sub Bass Design Synthesizer
Pure Sub is available now for $/€49 (reg. $/€79)
https://www.arturia.com/products/software-instruments/pure-sub/overview

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Drop that bass
Modern bass is about building pressure, shifting momentum and shaping the visceral depth and energy of a track.
Pure Sub brings heavyweight bass design and integrated processing together, so you can build your low-end and make it drop with immediacy and control.

Rise of the Sub
In modern electronic music, from dubstep and drum & bass to the wider world of club and bass-driven production, low-end has become the defining voice.
Over the past decade, bass has moved from the foundation under the track toward the front of it.
It's not unusual now for a producer to spend hours on a single sub — sculpting harmonics, distortion and movement until the bass is the hook, the signature, the drop.
With the rise of sound design as a craft, a sound once felt and forgotten is now designed with the care once reserved for the lead. Pure Sub is a synthesiser built for that one job.

WEIGHT
Build the foundation
Pure Sub splits the sound into three dedicated stages — sub, harmonics and texture — each shaped on its own.
Control the fundamental independently from its harmonics, morph timbre through a dual-mode engine built for everything from clean 808s to wide Reese, then blend in noise and texture so the bass cuts through on any system.
Great sub design is no longer a dark art.

IMPACT
Make it growl
Turn a heavyweight core into hard-hitting impact. Reshape harmonics through 40+ filter modes, then drive the timbre with the Sub Processor — a bass-focused chain of expert-built modes that distort, texturise and transform in a few moves.
Finish in the FX rack and push the Maximiser for loudness, pump and grit.

MOTION
Animate every layer
A drop-defining bass should never stand still. With three envelopes, six customisable modulators and full keyboard expressivity including MPE, animate any parameter, layer samples and noise, and modulate the modulators themselves — shaping evolving basses that are unmistakably your own.
  • Preserve a clean sub
    Heavy processing and filtering can damage the fundamental's amplitude and phase. Sub Regen restores a clean fundamental practically anywhere in the chain — so you can go crazy with filtering and FX without ever damaging your low end.
  • Create timbre movement
    Modulate the engine Morph or the Sub Processor amount — one move, and a static tone comes alive.
  • Emphasise distortion
    The new distortion in the FX rack has a built-in EQ that boosts or attenuates frequencies, drastically reshaping the resulting timbre. Key-track it to keep that timbre constant across the keyboard.
  • Instant new ideas
    Load a preset and hit the dice to randomise any stage — engine harmonics, texture sample, filter type, Sub Processor mode and macros, even function shapes. Instant new sound, only yours.
  • Add movement to the volume sliders
    Modulate the sub, harmonics or texture volume to turn a static sound into an evolving one — especially effective on 808s and wobbles.
  • Maximise and pump
    Push into the Maximiser for loudness and pumping — switch to Hard mode to add clipping grit.
  • Resample
    Building audio material speeds up arrangement. Assign a random modulator to a few parameters and retrig it on key press. Every note, or every bounce, comes out slightly different.
  • Bass you can hear everywhere
    Very low frequencies vanish on small speakers. Adding noise creates a psychoacoustic effect that makes the bass audible almost anywhere. With the texture shaping modes, you can modulate that noise with the fundamental to reinforce the perceived pitch.
  • Glue
    Beef up and glue your bass layers with the filter drive, distortion or Maximiser. Watch how shifting the balance between elements drastically changes the timbre.
  • Experiment with filters in the FX rack
    The filter module isn't limited to the filter section — drop several into the FX rack, key-track their cutoffs and modulate each separately. Notch sweeps sound exceptional, and there's plenty more to discover.
  • Modulate modulation amounts
    Drag a modulation straight onto another modulation amount to modulate it — so a single modulator, like a macro, can fire one or several modulations at once.
  • Upper bass
    Since the fundamental and harmonics are independent, you can drop the fundamental entirely and build upper-bass layers to stack on your main bass.
 

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