Вести с полей о муз софте (2 онлайн)

Так стоп, если стоят 5.2 и поверху накатить не рек - обычные плагины работать не будет? лиц на айлоке же? ничего не понимаю.
 
вы доплачивали? за апгрейд?
нет. скачал, всё без проблем работает. апгрейд 19$
в кабинете следующие лицензии:
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Реакции: tony_ns
19 это грейд до бандла) даже если у вас бандл 5.4 + SpaceBlender.
Все работает и так
 

SSL 4K G Channel Strip​

https://store.solidstatelogic.com/plug-ins/ssl-4k-g-channel-strip

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The SSL 4K G plug-in by Solid State Logic is the definitive emulation of the SSL 4000 G channel strip, created by its original designers to authentically recreate the sound of a generation. Offering detailed circuit modelling down to the component level of the revered Pink ‘292’ and Black ‘242’ EQ flavours, alongside the tighter and more refined sounding dynamics section, 4K G lets you tap into the iconic sound behind some of the greatest records of all time.

From Olympic Studios in London to the Record Plant in LA, SSL 4000 G consoles quickly became the new staple in studios worldwide. Its unparalleled sonic character and incredible versatility transcended genres, shaping countless chart-topping hits across pop, rock, and hip-hop. Renowned engineers and producers like Spike Stent, Bob Rock, Dr Dre, and MixedByAli all crafted timeless records on the SL 4000 G.

THE SL 4000 G-SERIES CONSOLE​

Expanding on the SL 4000 E's legacy, the SL 4000 G console emerged in 1987 as the pinnacle of the 4000 series and the final chapter in the 4000 B, E, and G trilogy. While the E Series had established a reputation for bold, aggressive tones, many studio professionals desired a smoother, more refined sound. In response, Solid State Logic introduced the SL 4000 G. This console brought groundbreaking innovation, including redesigned microphone preamps, the Pink Knob ‘292’ EQ, and refined dynamics section, resulting in the console offering a more 'polished’ sound than the previous grit of the E Series.

ANALOGUE MODELLING​

The 4K G plug-in lives up to the legend of the 4000G, imparting all the vibe and rich non-linear analogue character of the console itself. The plug-in is a precise emulation, with detailed component-level modelling and an intricate capture of the original circuit schematics. Highlights include the hyper-realistic emulation of the revered Pink ‘292’ and Black ‘242’ EQ flavours, alongside the tighter and more refined sounding G Series dynamics section. 4K G also incorporates output fader VCA modelling, adding rich layers of harmonic saturation throughout the channel strip.

Jensen JT-115K-E Transformer Mic Pre & Impedance Control​

Featuring the option to engage the classic 4000 E Series Jensen transformer-modelled mic preamp with its adjustable saturation, 4K G also includes the Variable Mic Input Impedance control, taken from the FX383 G Series outboard unit. Used in conjunction with the Mic Input saturation, the variable impedance control opens up bountiful creative tone shaping options, perfect for lo-fi drum crunching, for example.

Ultra-smooth and polished EQ character​

4K G stands apart from its counterparts thanks to its revised and expanded tone-shaping capabilities. 4K G features the distinctive HMF ×3 and LMF ÷3 selector switches from the iconic ‘292’ EQ. These switches allow the HMF and LMF bands to be shifted to the outer extremes of the frequency spectrum, enabling the creation of unique and expressive EQ curves. This flexibility lets you sculpt bell curves with either wide or narrow Q settings in the low and high frequency regions, in addition to the standard LF and HF shelf controls. The ‘292’ EQ itself employs a variable Q design, meaning that smaller boosts or cuts naturally result in broader curves.

Meticulous modelling of the 4000 G dynamics section​

By the time the SL 4000 G console was released, the channel dynamics had undergone many incremental circuit revisions over the 4000-series era. From the aggressive sound of the 4000 B to the much loved ‘pop’ of the 4000 E. The 4000 G provided a refined tightness to its compression characteristic, which proved invaluable in the creation of evermore elaborate and dense mixes. That same precision makes the 4K G dynamics just as impactful in today's complex productions.

Modelled THAT 2002T 'Blue Can' VCA fader​

The 4K G features output fader VCA modeling, delivering added harmonic energy at the final stage of the signal path. It emulates the later THAT 2002T 'Blue Can' VCA, which - while cleaner than earlier VCA designs, still imparts a distinct and characterful dose of harmonic distortion to the signal.

HQ mode for enhanced processing and oversampling​


Use the High Quality (HQ) mode to turn on intelligent oversampling under the hood – applying the minimum amount of oversampling necessary for a closer approximation of a continuous analogue signal.

Total control from the SSL 360° Plug-in Mixer​


Mix ‘n’ match SSL channel strip plug-ins and control them all from the SSL 360° Plug-in Mixer – your virtual SSL console – including first-class integration with the SSL UC1, UF8 and UF1 controllers for hands-on control.
 
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Апгрейдить до 5.5. есть смысл хотябы для того, чтобы получить спец прайс апгрейда для следующего 5.5->5.6.
Судя по всему, в 5.6 будет какой-то новый плагин, как это обычно бывает у soundtoys.
больше нет смысла) кроме того что выше
 
Relab пошёл в эмуляцию лампы

We’re inviting a limited, exclusive group - specifically owners of our premium products - to request early access to the Relab 176 Tube Compressor/ Limiter beta.


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IK Multimedia Prism Reverb
https://www.ikmultimedia.com/products/trprismreverb/
Для владельцев некоторых бандлов от IK - бесплатно.

Prism Reverb​

Prism Reverb is more than just another shimmer reverb; it's a playground for sonic exploration. Designed for sound designers, producers, and guitarists to push beyond "beautiful washes," Prism Reverb allows you to shape infinite, evolving textures with depth and creative freedom.

Traditional shimmer reverbs end at beautiful. Prism Reverb transcends this, delving into the lush, the infinite, and the experimental. Every control is designed to inspire, providing the tools to create reverb textures that breathe, dance, and evolve in ways no other reverb can.

Prism Reverb overview

  • A 4-module plug-in for creating beautiful and dramatic reverb effects
  • Discover new tools for defining the core Reverb sound and level
  • Take control of the reverb tail’s character through integrated Modulation
  • Explore Pitch-shifting for advanced sound design and creative textures
  • Feedback adds more inspiring control over the final shimmering effect
  • Built-in controls let you adjust the left and right channels separately
  • Works as a standalone plug-in or inside the T-RackS 6 plug-in shell
  • Includes presets for Bass, Guitar, Keys, FX, Voice, and more

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Reverb Core: The heart of the effect

At the center of Prism lies the reverb module, crafting the initial reflections that define the sound. With Size and Diffusion controls, you can shape anything from tight, focused spaces to vast, ambient environments — the essential foundation for the evolving effect chain.
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Modulation: Motion with depth

Built into the reverb stage, the modulation section adds life and movement to the tail. Depth, LFO Rate, and optional randomization offer expressive control, while independent channel modulation creates rich, asymmetrical spatial textures that evolve in time with your music.
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Pitch Shifting: Precision meets space

Two independent pitch shifters offer a ±2-octave range with ultra-fine tuning down to 1/100th of a semitone. With dedicated level and pan controls, this module lets you design immersive, spatial pitch effects—perfect for shimmering textures or subtle tonal shifts.
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Feedback Control: Shaping the loop

The feedback engine gives you precise control over the shimmer’s intensity and tone, with frequency-specific shaping for highs and lows. The FB PITCH switch moves pitch-shifting in or out of the loop, while FLIP swaps stereo channels on each pass, enriching spatial depth and blending complex effects seamlessly.
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Hans Zimmer’s Symphonic Elements PERRCS - 79$

PERRCS delivers top-end orchestral percussion from Hans Zimmer’s vault: shakers, sticks, rimshots and many more. Adding energy, motion, and story-driving rhythm to any track.

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Softube Equalizers
https://www.softube.com/plug-ins/equalizers
Intro price 79.00$ (USD 99.00$ regular)
Manual https://www.softube.com/user-manuals/equalizers

In Short

- Vintage and modern equalizing in one plug-in
- A modern EQ with the ability to load vintage EQs
- Modern EQ bands with all the bells and whistles
- Featuring dynamic bands
- Fully flexible M/S L/R routing

- Combine vintage and modern equalizing in one plug-in
- A modern EQ with the power to load Softube vintage EQs
- Modern EQ bands, dynamic bands, fully flexible M/S L/R routing, and more


Colorful and draggable curves, dynamic bands, individual channel control, super-optimized CPU, and every bell and whistle you could wish for... plus something more. Equalizers is a fully loaded modern EQ with a hidden superpower.
Equalizers allows you to load other Softube EQ plug-ins into the Equalizers plug-in to create a one-of-a-kind EQ environment. Load Trident A-Range, Chandler Limited Curve Bender, or another vibe-laden Softube EQ and get the full experience of that plug-in plus take advantage of visualizing the unique curves of vintage EQs, combine them with up to 20 bands of modern curves, view frequency content, use dynamic EQ features, and more. With Equalizers, you get both corrective and vibey equalizing in one plug-in for an ultra-fast workflow.

A faster workflow with modern & vintage combined

Skip adding another EQ to your signal chain. Equalizers gives you all the benefits of a modern equalizer, plus the ability to load our modeled vintage EQs – Trident A-Range, Abbey Road RS-127, and more. You get modern and vintage, corrective and vibey, all in one elegant plug-in.

Detailed control with dynamic bands
Want to easily reduce harsh sibilants or a boomy kick without changing the overall tone of the track? With Equalizers, you can make bell- or shelf-shaped bands dynamic so that the gain level reacts to the incoming audio.

Full featured, modern equalizing
Equalizers is a modern EQ with all the features you want. We optimized the CPU and added colorful curves that you can readily move. The plug-in also features dynamic bands and individual channel control (mid, side, left, right).

Fully flexible channel control
Equalizers offers full flexibility when it comes to handling channels. You can set each band to stereo, left, right, mid, or side for individual control of the channels. To effectively create space and balance in your mix with Equalizers, use mid/side equalization in combination with dynamic bands.

Load vintage EQs in Equalizers
The following EQs are compatible with Equalizers:

- Core Vintage Equalizer and Dual Equalizer
- Chandler Limited Curve Bender
- Empirical Labs Lil FrEQ
- Tube-Tech Equalizers Mk II
- Trident A-Range
- Summit Audio EQF-100
- Focusing Equalizer
- Passive Equalizer
- Active Equalizers
- Abbey Road RS135, RS127 and RS127 Rack
- Tonelux Tilt and Tilt Live
- American Class A
- British Class A



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Equalizers & Core Vintage Equalizers - 99$
https://www.softube.com/plug-ins/equalizers-core-vintage-equalizers

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Core Vintage Equalizers - 89$
https://www.softube.com/plug-ins/core-vintage-equalizers

In Short:
- A passive parallel equalizer
- Musical and smooth
- Perfect for broad strokes
- Based on the Console 1 Mixing System Vintage EQ
- Includes Core Vintage Equalizer and Dual Equalizer

Why parallel design?
Core Vintage is a passive parallel equalizer.
This means the band interaction differs from modern solid-state equalizers. Many engineers find that, because of that, parallel equalizers are more musical and vibey, albeit a bit quirkier.

Why wide bands?
The Core Vintage Equalizer is made to be musical. And if it seems like the bands’ default Q values are super wide, that's by design. All the bands cover a full frequency range, and the idea is to use the Gain controls to broadly shape the sound without having to touch the Frequency or Q knobs.

Tips! The weird low band.

The strange shape of the low shelving band is an artifact of the parallel design. If you boost the low shelf, you'll see a dip above the boost frequency. That is quite typical for this type of design, and it results in a very musical emphasis of the low frequencies.

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Это получается, чтобы получить полный набор загружаемых EQ, нужно со скидкой потратить более 800 долларов? Похоже это самый дорогой VST Eq истории...
 
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SoundID VoiceAI v2.5 - Aug 12, 2025
Adds Rock & Kids Voice Packs

Your vocal toolkit just expanded in a big way. The newest SoundID VoiceAI update delivers two premium Preset Expansion Packs – Rock and Kids – alongside free updates that make voice clearer and more expressive. Below is everything you need to know, straight from the product team, plus real-world impressions from creators already putting SoundID VoiceAI to work.
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SoundID VoiceAI offers 20 new voice models in the Rock and Kids Voice Packs

Rock Voices Expansion Pack: Grit, Growl & Stadium-Ready Power
Need vocals that punch through a wall of guitars or carry the weight of a cinematic trailer? The Rock Voices Expansion Pack brings 10 pro-grade voices (5 male, 5 female) engineered for rock, metal, and other high-energy genres. Each model is built on licensed, ethically sourced material and captures the natural rasp, rich tone, and wide dynamics that define powerhouse rock performances.

Grab the full collection for $29 and transform clean takes into radio-ready singles or stack them as backing tracks for instant width and grit.


Two New Factory Rock Presets And Additional Improvements For Existing Users
All SoundID VoiceAI users receive two new rock voices, “Derek” and “Henry,” in the Factory catalogue at no charge, bringing the built-in voice count to 30.

Besides the new presets, the new Captured Voice Cleanup option strips background noise before the voice model processes your track. Turn noisy phone recordings into clean, production-ready takes – perfect for quick idea captures.

After the latest update, existing users will notice that a permanent Expansion Packs tab now lives beside Factory Presets in the browser. It provides the ability to preview any locked voice instantly; click once to head to the store and unlock forever. Icons show what’s downloaded locally, so you’re never guessing which voices are ready to go. (Reminder: because preset metadata changed, the plugin will prompt you to re-download existing presets after updating.)

Release notes for 2.5.0
Date of release: 12 august 2025


We're excited to announce a major update to VoiceAI that significantly enhances voice processing experience with improved presets, new preset expansion packs and a streamlined interface.
Please note: this update is not forward compatible: Projects saved with this version will not open with previous versions of VoiceAI.
Also note: this release introduces a new preset format for Perpetual mode. All previously downloaded offline presets will need to be re-downloaded.

New in v2.5.0
- Improved existing preset catalogue and added new Derek and Henry presets to Factory presets
- Replaced "This is my voice" audio preview with multiple mini songs to better showcase each voice's unique characteristics and capabilities
- Combined Voices and Creative tabs into one Factory presets tab
- Added new paid preset expansion packs: Rock voices and Kids voices (10 voices in each)
- Made both preset expansion packs available in Pay-as-you-go mode with no additional payment
- Added voices from the new preset expansion packs to Perpetual mode trial (one voice per pack)
- Added voice category or preset expansion pack name column in the preset browser for both Plugin and Download manager application
- Added new preset expansion pack management section under SoundID VoiceAI product cart in user accounts
- Introduced Captured Voice Cleanup feature to reduce noise in source recordings and improve processing results
 
Было бы круто если бы реактор вообще любые модули научился экспортить в виде VST , вот это был бы реально прорыв...
С некоторой долей вероятности, что они всё же это реализуют, а точнее, откроют доступ к этой, давно существующей, возможности для всех Реактористов, исходя из некоторых добытых крупиц информации о грядущих обновлениях..
Им деваться уже просто некуда и сейчас у них единственный способ увеличить продажи - за счёт массированной популяризации, а это напрямую теперь зависит от возможности экспорта реакторных разработок в полноценные VST... И это будет для меня настоящий праздник ибо давно мечтаю об этом..
 
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Кстати, вот одна из таких обнадёживающих "крупиц", от одного из админов Reaktor Community, в контексте уже известного анонса..

Это он написал в ответ на развернувшееся обсуждение вышеуказанного анонса:

"It's a bit of all of the above, but it will ultimately a lot more like "improving the software for builders" than you may think."
 
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Пульсар аудио анонсировали Pulsar IPA25
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The three compression modes aren't just “run of the mill” generic compression models,

Each choice specifically emulates a different analog compression topology:

- IPA: Discrete 2520-style VCA stage modeled after the original
hardware - tight, punchy, and fast.
- P&P: Push-Pull VCA inspired by vari-mu compression design - warmer, smoother gain control with harmonic bloom.
- N-DIODE: Diode bridge gain-control cell - more aggressive compression with added harmonic density and midrange weight.
Plus, there's even a drive control that adjusts the internal calibration of the selected VCA model, controlling the amount of harmonic distortion and saturation introduced.

You can even turn the models off with the VCA enable switch. When disabled, compression is still applied, but without any of the harmonic coloration.
 

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